Non-fiction

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B&N Cup of Comfort booksigning
Joy Wooderson, Donna Volkanannt and I at a “comforting” booksigning at Barnes & Noble. Each of us had stories in a different edition of the terrific Cup of Comfort anthologies.

My short non-fiction has appeared in A Cup of Comfort for Courage, Horse Crazy: Women and the Horses They Love, A Cup of Comfort for Mothers to Be, Sacred Fire, and A Cup of Comfort for Dog Lovers. A Shoe Burning appeared in Sacred Fire.

A Shoe Burning

“The shoes burn at sunset,” I announced. “At the top of the hill in the field by the pond.”

A bemused smile creased my husband’s face. Of all the questions he might venture about this peculiar statement, he asked, “Why sunset?”

I had given this some thought. It was dead of winter, and night came early. “The wind settles then,” I said. “Plus, I want my offering to be visible to whatever gods note such things.”

Ever one to add an artistic touch, Robert fashioned a torch for me to safely light the pyre I had built, and he readied enough gasoline to ensure a good blaze.

“It’s a hell of a way to mark your fortieth,” he said.

I had decided to burn the shoes some months before. I wanted a ritual to celebrate turning forty. Setting fire to something from my past felt like the perfect transition from the frivolous pursuits of youth to the more pertinent matters of maturity—from heels and skirts to flats and slacks. For it was not any pair of worn-out footwear I intended to immolate, but the strappy, black snakeskin high-heels with tiny gold buckles that fastened around my ankles. When I was still willing to forgo comfort in the name of fashion, these shoes had seen a good deal of wear. My knees and back thanked me daily for giving up such foolishness.

The old me would go up in smoke and the new, wiser me emerge from the ashes shod in comfortable loafers—or in the case of a cold and snowy winter’s day—practical mukluks. Never again would I bend to someone else’s idea of who I should be. In future, I would be true to myself.

My fortieth birthday dawned clear and icy—common enough for January in the Midwest. Our farm straddles a ridge where wind slices across as if nothing stands between us and the North Pole but a couple of barbed wire fences. Undaunted, I built a column of glued-together cardboard boxes and affixed the sacrificial shoes on top like an overwrought cake decoration.

When the appointed time arrived, we bundled into our insulated coveralls and fur-lined hats and marched into the waning winter light, me carrying the tower reverently like the offering it was, Robert following with torch and tinder. Our black lab and six cats with tails held high completed the procession, but made for home when ice hardened between their toes.

At the top of the hill in the field by the pond, steady blasts of air had scoured the snow to a smooth, crisp finish that glowed softly with the muted violet and red of a dusky winter sunset. I met the western sky with eager eyes, seeing not the end of my youth, but the beginning of a future filled with promise.

I put down my gift and took a moment to admire the whole of it. The brown and tan boxes rose in mismatched symmetry from large to small, and here and there, gobs of glue dripped over an edge. My homemade alter was sturdy, not pretty, yet the shoes atop looked ready to step away. Part of me hated to lose them. Those spiky, impractical bits of leather appeared insubstantial, especially against a bitter January night, but they held memories of going places, of conversations without end, of dancing.

You must be willing to give something up, I told myself, and there is so much to gain. The shoes are a symbol. You do not want high heels on the path you now walk, nor do you need them to talk all night, or to dance.

The frigid breeze biting my cheek reminded me to move. Robert lit the torch; I held it to a lower box. We stood back and watched as flames coursed upward.

The fire burned hot and fast, melting the shoes from view quicker than expected, spiraling cinders into the purple sky. Heat seared through me and thawed a circle in the snow. Moved by the spirit of the moment, and perhaps to prove my point about dancing, I giddily spun around the blaze, waving the torch while my husband snapped photos.

During the jog back to our house, new buoyancy lifted my steps, as if I had crossed an invisible threshold from a weighted past to a lighter future.

Six years later, that fire still warms my inner world. Cleansed of old, restrictive thoughts, I go forward unrestrained, often barefoot.

And somewhere at the top of the hill in the field by the pond, or in a nest or burrow nearby, two tiny gold buckles remember, and glitter like miniature flames.

Poetry

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Smirnoff jumping

Poems come in fits and starts and when I am overcome with emotion. I wrote Unending Memory after Smirnoff died. He was a 31-year-old thoroughbred who had been my friend for over 25 years.

Unending Memory

I remember the sun’s warmth mingling
the aromas of sweating horse and oiled leather and
my breathlessness as we galloped and
the creak of saddle and boot and
the thudding rhythm of his hoof beats and
surging power beneath my hand and hip and
a streaming mane and that arching neck and
the oneness of being and nothing—
nothing but smooth paths and
unending potential.

I remember the sun’s warmth piercing
a cold winter’s day with stark shadows and
a sleeping horse with his nose in the dirt and
legs folded beneath belly and
me curling into the curve of that broad neck and
hands on his strong shoulders closing my eyes and
the quiet rhythm of breathing together and
inhaling strength and courage and nothing—
nothing but light breezes and
unending repose.

I remember the sun’s warmth igniting
my one-year-old’s golden curls and
her tiny fingers fisted in a black mane and
palms plastered against that sleek neck and
chubby legs wrapping an undulating back and
the steady rhythm of his walk and a contented sigh and
delirious hiccups and toothless grins and
the first utterance of giddyup and nothing—
nothing but carefree giggles and
unending joy.

I remember the sun’s warmth drawing
the musty scent of old hay and manure from
a shed at the end of a frosted field where
he stood stiff-legged and hunched and
still greeted me with a last nicker and
the uneven rhythm of labored breathing and
him collapsing with heavy head in my hands and
me sobbing into that still-warm neck and nothing—
nothing but flowing tears and
unending memory.

Smirnoff and me

Awards and such

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Raver
First place, Sci-Fi/Fantasy novel, Oklahoma Writers Federation, 2003
First place, Paranormal, Toronto Romance Writers, 2005

Winterlight (now known as On the Buckle)
Third place, Single Title Contemporary, Toronto Romance Writers, 2005

A Farmer at Last
Second place, Essay, Oklahoma Writers’ Federation, 2003

Woman
Third place, Poetry Unrhymed Short, Oklahoma Writers’ Federation, 2003

Unending Memory

Second place, Saturday Writers Poetry Contest

Cuivre River Anthology booksigning at Dahlia’s

Cuivre River Anthology Vol. II contributors from left: Dianna Graveman, Julie Earhart, Diana Davis, Doyle Suit, Jerry Swingle, Candace Carrabus, Tricia Sanders, Joy Wooderson, Donna Volkanannt, Louella Turner.

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